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Landscape painting

Canaletto transformed the cityscape of Venice into a profitable subject to sell to British Grand Tourists, but the idealised rural landscape had always been a popular subject in Venetian art, often as a setting for episodes from biblical stories or classical mythology.

Having begun his career working for the stage, Marco Ricci made many landscape paintings, drawings and etchings, travelling out into the countryside of the Veneto to make drawings from nature. His work and that of his younger colleague Francesco Zuccarelli build on the classicism of Claude Lorrain (1600–1682), Nicolas Poussin (1594–1665) and the arcadian tradition of their revered predecessors, Titian (c.1490–1576) and Giorgione (d. 1510). Landscape subjects were especially popular among native Venetian patrons.

Francesco Zuccarelli (Pitigliano 1702-Florence 1788)

River Landscape with Apollo Pursuing Daphne

Marco Ricci (Belluno 1676-Venice 1730)

Landscape with a Woman and Child in the Foreground

Francesco Zuccarelli (Pitigliano 1702-Florence 1788)

Landscape with Diana appearing to Endymion

Marco Ricci (Belluno 1676-Venice 1730)

Herds terrified by a storm